Conference Papers
LOKE, L., KHUT, G.P., AND KOKOBALI, B. (2012) Bodily Experience and Imagination: Designing Ritual Interactions for Participatory Live-Art Contexts (paper accepted for presentation) IN Designing Interactive Systems (DIS2012), Newcastle, UK, June 11-15, 2012.
LOKE, L. AND KHUT, G.P. (2011) Surging Verticality: An Experience of Balance. Proceedings of the fifth international conference on Tangible, embedded, and embodied interaction (TEI’11), Funchal, Portugal, January 22 – 26, 2011.
KHUT, G. (2006) Interactive Art as Embodied Enquiry: Working with audience experience. IN EDMONDS, E., MULLER, L. & TURNBULL, D. (Eds.) Engage: Interaction, Arts & Audience Experience. University of Technology, Sydney, Creativity and Cognition Studios Press.
KHUT, G. & MULLER, L. (2005) Evolving Creative Practice: A reflection on working with audience experience in Cardiomorphologies. IN ANASTASIOU, P., SMITHIES, R., TRIST, K. & JONES, L. (Eds.) Vital Signs: Creative Practice & New Media Now. Australian Centre for the Moving Image, Melbourne, Australia, RMIT Publishing.
MULLER, L., TURNER, G., KHUT, G. & EDMONDS, E. (2006) Creating Affective Visualisations for a Physiologically Interactive Artwork. IV06 (10th International Conference Information Visualisation). London (UK), IEEE Computer Society.
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Feature Articles and Reviews
CULATTI, V. ‘Cardiomorphologies, the body as an instrument’ In NEURAL MAGAZINE (Italy), August, 2006. link…
ATACK, T. ‘This Secret Location – George Khut: Cyborg dancing’ In REALTIME 72, April-May 2006. link…
McDOWELL, D. “Body Doubles: Kinesthetics and Visual Display in the Aesthetics of Gallery-based Interactive Art” In EXTENSIONS: The Online Journal Of Embodiment & Technology, Vol. 3, 2006. link…
RICHARDS, K. ’Let The Body Navigate’. REALTIME, 66, April-May, 2005 Pp. 31. link…
JASPERS, A. ‘We Robots’. REALTIME 64 Dec-January 2004. link…
RHODES, B. ‘Nightshift’. EYELINE, 49, Spring 2002, Pp. 46. link…
WALCH, M. ‘Artist Profile: George Khut’. REALTIME, 42, April-May, 2001, Pp. 37.
TIMS, P. ‘Bedding Down Art – Pillowsongs’. THE AGE, Wednesday October 6th, 1999 , Pp. -.
KNIGHTS, M. ‘Pillowsongs’. ART LINK 18, 2, June 1998, Pp. -
WALCH, M. ‘A Digital Silence’. REALTIME, 24, 1998, Pp. 46.
COLLES, E. ‘Mutiny On The Docks’. REALTIME, 1996, 12 April–May Pp. 38.