Cardiomorphologies v. 2 was the final work to be developed as part of my Doctoral research portfolio, and was developed in close collaboration with the curatorial researcher Lizzie Muller and computer scientist and interaction designer Greg Turner between April and September 2005.
Although structurally similar to its predecessor, Cardiomorphologies v. 2 was the culmination of an intensive series of design workshops, user-testings and evaluations. Our aim throughout this period of collaboration was to develop a deeper understanding of audience experiences in Cardiomorphologies, and to use these experiences to inform and evolve the design of the work and our understanding of the subjectivities they afforded.
Download the information on Cardiomorphologies exhibition requirements here.
Publications
You can read more about how we developed this work, and the methods we used to explore audience experience in the following publications (use the links to download PDF documents).
Chapter 5 of my Doctoral Exegesis, in the section on ‘Cardiomorphologies v2′;
2005
Beta_space Gallery, Powerhouse Museum Sydney, Australia September 14th – 21st
2006 This Secret Location Exhibition curated by Helen Cole Inbetween Time Festival of Live Art & Intrigue, Arnolfini, Bristol, Great Britain February
2007
I Took a Deep Breath… Perth Institute of Contemporary Art, curated by Hannah Matthews as part of Biennial of Electronic Arts Perth 2007
Credits
George Poonkhin Khut: Installation concept, interaction design and art direction Greg Turner: Data analysis, routing and visualisations software (Max-MSP) Lizzie Muller: Interaction design, audience research, event production and logistics Kier Smith and Chris Caines: Videography Matthew Connell: Exhibition director, Powerhouse Museum, Sydney ‘Cyber Worlds’
Cardiomorphologies v.2
Cardiomorphologies v. 2 was the final work to be developed as part of my Doctoral research portfolio, and was developed in close collaboration with the curatorial researcher Lizzie Muller and computer scientist and interaction designer Greg Turner between April and September 2005.
Although structurally similar to its predecessor, Cardiomorphologies v. 2 was the culmination of an intensive series of design workshops, user-testings and evaluations. Our aim throughout this period of collaboration was to develop a deeper understanding of audience experiences in Cardiomorphologies, and to use these experiences to inform and evolve the design of the work and our understanding of the subjectivities they afforded.
Download the information on Cardiomorphologies exhibition requirements here.
Publications
You can read more about how we developed this work, and the methods we used to explore audience experience in the following publications (use the links to download PDF documents).
Exhibition Dates
2005
Beta_space Gallery, Powerhouse Museum Sydney, Australia September 14th – 21st
2006
This Secret Location Exhibition curated by Helen Cole Inbetween Time Festival of Live Art & Intrigue, Arnolfini, Bristol, Great Britain February
2007
I Took a Deep Breath… Perth Institute of Contemporary Art, curated by Hannah Matthews as part of Biennial of Electronic Arts Perth 2007
Credits
George Poonkhin Khut: Installation concept, interaction design and art direction
Greg Turner: Data analysis, routing and visualisations software (Max-MSP)
Lizzie Muller: Interaction design, audience research, event production and logistics
Kier Smith and Chris Caines: Videography
Matthew Connell: Exhibition director, Powerhouse Museum, Sydney ‘Cyber Worlds’